Mendelssohn-Gondola Song Op.30-6

Felix Mendelssohn Bartholdy

Gondola Song in F sharp minor Op.30 No.6

Condolier Song을 편곡한 스캣송(scat song)

Humming voice 

 

 

※아래 동영상은 위의 scat song을 끄고(닫고) 열으세요.^^* 

Gondola Song in F sharp minor Op.30 No.6

https://youtu.be/WxVIYxE9CEI

Piano : Roberto Prosseda (Italian Pianist)

Mendelssohn 이 그린 수채화-Luzern , Switzerland 1847

Mendelssohn 이 그린 수채화 -Florence , Italy 1830  ☆ 멘델슨은 수채화 그림도 잘 그린 것 같습니다.

Jakob Ludwig Felix Mendelssohn Bartholdy^{[n 1]} (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn,^{[n 2]} was a German composer, pianist, organist and conductor of the early Romantic period.

A grandson of the philosopher Moses Mendelssohn, Felix Mendelssohn was born into a prominent Jewish family. He was brought up without religion until the age of seven, when he was baptised as a Reformed Christian. Felix was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent.

Mendelssohn enjoyed early success in Germany, where he also revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He was also well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain  – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from many of his more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatoire, which he founded, became a bastion of this anti-radical outlook.

Mendelssohn wrote symphonies, concertos, oratorios, piano music and chamber music. His best-known works include his Overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the overture The Hebrides, his mature Violin Concerto, and his String Octet. His Songs Without Words are his most famous solo piano compositions. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has now been recognised and re-evaluated. He is now among the most popular composers of the Romantic era.

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